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Plurality of Isolations
Featuring works by RF Alvarez, Jesse Amado, Jennifer Ling Datchuk, Jenelle Esparza, Barbara Miñarro, Cecilia Paredes, Ethel Shipton, and Carlos Rosales-Silva.
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Plurality of Isolations touches on the experiences shared by many during the COVID-19 pandemic, political distress, and fragile economic environment. The exhibition is an assemblage of the meditations of these artists who share common themes—separation, upheaval, unrest, and hope for better days to come. These periods of hardship indelibly cast a mark on art and shape the course of art history. Though the COVID-19 crisis has had a severe emotional and economic impact on the artistic community, artists are regrouping and reinventing themselves for this new normal as they have done in past catastrophes and have helped those most afflicted find solace through their work.
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Artists
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Jesse Amado
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Jennifer Ling Datchuk
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Cecilia Paredes
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Ethel Shipton
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Carlos Rosales-Silva
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RF Alvarez
Born in San Antonio and currently working in Austin, Texas, Alvarez has been interested in the intermixing of Mexican and Anglo-Western identities that occur in his environment and his own personal heritage. This has manifested in an approach to his craft that is in constant conversation with art historical and archeological references. He often applies titling that evokes mythological narrative, tapping into stories that have woven into the fabric of western society, and combines this with a depiction of bodies and spaces that are at once anonymous and succinct. What results is an exploration of identity from a teleological perspective: a visual language that is so historical in its blending that it can come to represent a potential future.
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Jenelle Esparza
Jenelle Esparza is an interdisciplinary artist who was born in the coastal city of Corpus Christi, TX.
Esparza examines the lesser-known history of cotton and labor in South Texas through photography and textiles and incorporates concepts of body movement, history, gender, identity, culture, and race. Her recent projects consider the intersections of Mexican and American culture and the implications of generational trauma. In El Color de la Obra (2016), Esparza used photography, two-way mirrors, and bronze cotton plants to examine the interconnected histories of South Texas cotton fields and began her exploration into this history which runs several generations deep in her family.
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Bárbara Miñarro
Barbara Miñarro was born in Monterrey, México, and currently lives and works in San Antonio, Texas. As an artist influenced and living between two cultures, Miñarro’s work explores ideas of the body in migration. Her soft sculptures, installations, and paintings utilize the tactile memory of clothing, the earth, and the physical body to express the emotional journey of immigration.
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Plurality of Isolations: San Antonio
Past viewing_room